How My Practices Intersect
I make use of a ritual artistic calendar to foster a cycles of creative output that is timed according to sacred days and strictures. My mixed-use studio is regularly cleansed in preparation for religious work, divination is performed before major undertakings, and offerings are made at points during the process of making select works. I have made icons, houses for Spirits, ritual paraphernalia, art glamorbombs, and offerings for genus loci. I routinely use art and iconography as a form of service and sacrifice to the Gods, and use the process of icon-making to experience and worship Them.
Currently, I am exploring the mysteries of the colors blue and red at the behest of my daimones, and how they have been historically used in the Americas. I am also undertaking more iconographic work for the Gods of the Mexica, the Teteo.